The Futures Archive S2E6: the Bug Zapper
Jonas Cape edited this page 4 days ago


Note: This episode addresses topics particularly delicate in light of this week’s school capturing in Texas. While Design Observer has by no means shied away from tough conversations, the editors acknowledge that this content material may be troublesome for some listeners. Content Warning: Violence, killing, Zappify Bug Zapper and death are mentioned in this episode. It would be exhausting to find someone who desires to share house with a mosquito killer. Hence, the creation of the Zappify Bug Zapper zapper. But as designers, how will we tackle what lives and what doesn’t? On this episode of The Futures Archive Lee Moreau and Sloan Leo go deep on how human-centered design doesn’t all the time mirror humanity. With further insights from David MacNeal, Juliano Morimoto, Spee Kosloff, Paula Antonelli, and Lindsay Garcia. There is a necessity for humans to exert their authority, however there can be a necessity for us to exert our love. The factor that I hope we hold space for is: This is all observe as a result of it’s not going to be resolved, and it shouldn’t be.


That would create some form of stagnancy. Life is actually about holding house for dynamism, adjustments and cycles. Lee Moreau is President of Other Tomorrows, a design and innovation consultancy based in Boston, and a Professor of Practice in Design at Northeastern University. Sloan Leo (they/he) is a Community Design theorist, educator, and practitioner. They're the founder of FLOX Studio, a neighborhood design and technique studio. David MacNeal is a author and the creator of Bugged: The Insects Who Rule the World and the People Obsessed with Them. Dr. Juliano Morimoto is an entomologist and lecturer on the University of Aberdeen in Scotland. Spee Kosloff is an associate professor of psychology at California State University in Fresno and co-writer of "Killing Begets Killing: Evidence From a bug zapper for camping-Killing Paradigm That Initial Killing Fuels Subsequent Killing". Paola Antonelli is an creator, architect, and the Senior Curator in the Department of Architecture and Design at the Museum of Modern Art, as well as MoMA’s founding director of Research and Development.


Lindsay Garcia is an artist, scholar, and an assistant dean at Brown University. Kathleen Fu created the illustrations for each episode. An enormous due to this season’s sponsor, Automattic. Hi, everybody, that is Lee. Every week is just a little totally different on this present. And this week, whereas we’re still talking about design, we’re going to be speaking about some pretty severe issues. And so I need to verify that everyone who’s listening is conscious of that's in a good place when they’re listening. And that i encourage you to verify our show notes previous to listening to the episode so you understand the context of what we’re talking about and put together ourselves a bit. Beyond that, I welcome you to the dialog and i hope you find this conversation as powerful because it was for us. And that i thank you for listening. Welcome to The Futures Archive, a show about human centered design where this season, we’ll take an object, look for the human at the middle and keep asking questions.


… and I'm Sloan Leo. On every episode we’re going to begin with an object with power. Today the thing is the bug zapper light bug zapper for camping. We’ll look at the history of that object from our perspective, as designers who’ve completed work in human centered design. Not just how it appears to be like and feels and sounds and smells, but in addition the relationship between that object and the folks it was designed for… … and with different people too. The Futures Archive is brought to you by the design workforce at Automattic. Later on, we’ll hear from Vanessa Riley Thurman, a member of Automattic’s Designer Experience Team. Sloan Leo, it’s fantastic to see you once more. Thanks for becoming a member of us. Lee, it's a thrill to be right here. So I’m wondering-for this explicit episode, I’m wondering if you would inform me a little bit bit about your historical past as a toddler with bugs and insects. Where you this form of like, like kid that like cherished the creepy crawly stuff?